Buena.Software.Au.Naturel.v1.1.2.for.Adobe.After.Effects.incl.Keygen-SCOTCH
[align=center][b][size=2][color=SeaGreen]Buena.Software.Au.Naturel.v1.1.2.for.Adobe.After.Effects.incl.Keygen-SCOTCH[/color][/size][/b]|s^L.Xv
[color=DeepPink][b]Release Notes:[/b]3JH(U.P%R
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Au Naturel
Au Naturel allows you to apply lens blur and motion blur that looks*G&Ea0~y$c|
significantly more like real camera blur than the built-in tools. It
allows you to adjust the exposure of your footage using f-stops. It canh q3}1]B_ n
apply extremely high quality transforms which result in zooms that are,~5b3{H)B'Y#rGB
less fuzzy than the built-in scaling functionality. And you can do rP ` [N]!d
compositing with it in linear RGB with a seperate alpha channel per color
channel.8`;i dy ]3I2mbd
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Features*C8`:A7l5CF]%u6z
In the process of converting the light in a scene into bits in your
computer, the data describing the scene goes through several conversions.IG fV:g7m/W
From the lens on your camera to the electronics that recorded it to the_-be-Z1C} Q u"| oz
codec used to compress it, the data that your editing application has is
no longer a very good representation of what really occurred. Au Naturel7_2z(dD Xq/r
strips away much of the extra junk that was added to your footage and letsP/N:U%pJQ$Nm
you operate on your raw footage using meaningful values. The results are
much more realistic looking.
Extended Dynamic Range
You may have heard about high dynamic range or extended dynamic range
image formats which allow you to keep brighter highlights and darker
shadows without sacrificing image quality. Au Naturel uses those same
techniques when doing its thing so you keep as much of the dynamic range
of your footage as possible when applying the effects in Au Naturel.ki p^&w4i:_+p
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Au Naturel comes with 6 built-in effects:
Adjust Exposure
Allows you to adjust the exposure of your footage in f-stops, producing
much more pleasing and realistic results and with much less effort than
using Brightness and Contrast controls.#{4I MM| _S,F @s6| f a
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Levels
Similar to your host application's built-in Levels function, but withoutj[ v[Rsp:a
the limitations. You can set levels above the maximum or below the minimum
pixel values giving you a much wider range to work with. And values that.K [#i4q$M K;IQd C$L|
go above the max or below the min are preserved for the next effect ton:a|r)o[9D
work with rather than being clipped.zEq ~#U9w3i/b(R
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Gaussian Blur3C5?d*Kn&L? o a
An effect that produces a much more realistic looking blur than theo0Nd!G4]
built-in Gaussian Blur. Bright areas bloom out just like if you actually
defocused your camera lens. Plus, it allows you to choose how the edges
are handled and whether to apply the blur to only a single channel or all9tm7m@$h$CgG
the channels.
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Directional BlureN9ujkD#^
As with the Gaussian Blur, this blur produces much more realistic looking#FqZtHZf9|`
results than your host's built-in Directional Blur or Motion blur.E8T;Kc jSN w
Transform IF0Ef xE4v7|
Scale, rotate, translate, and skew your image with sub-pixel accuracy and MDy7k!j1]i
using high-quality resampling algorithms for results that are sharper than
the built-in tools.^ C S1s~-z.cb
Composite
Composite scenes together in linear RGB using a separate alpha channel for
each color channel if you want. This allows you to reproduce the actual
interactions that occur with light in the real world.[/color] K7k j/no`[ zFHn
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