The.Foundry.Keylight.v1.1.for.Adobe.After.Effects.7-SCOTCH
[b][size=2][color=SeaGreen]The.Foundry.Keylight.v1.1.for.Adobe.After.Effects.7-SCOTCH[/color][/size][/b]Wmx:Xt WbVL:A;@ G|:T
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[color=DeepPink][b]Release Notes:[/b]
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Picking the screen colour is often enough to give excellent results. T_$FW-PV{
Because Keylight's algorithm accurately models the interaction of 3v.y"uIYF
the blue screen light with the foreground elements and replaces it
with light from the new background, you don't have to manually
tweak lots of inter-dependent sliders to do the same. QYS,T+d4k j/q U"?y
Keylight is simple and quick to use, and is particularly powerful in
dealing with reflections, semi-transparent areas and hair.1MO/L P6k ah
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Controls for screen variation and spill suppression are included.
Colour correction tools using gain, gamma and offset sliders on
each colour channel are also supplied for the foreground and 5n'MK.RH Z^%H
background images. A secondary internal matte and external 2M)PQ6M y A [ \N
matte are also available.
Keylight already has an impressive track record in compositing
and has been used in many feature films such as Armaggeddon, hl!qY*w3@}
Bedazzled, Chicken Run, Devil's Advocate, Event Horizon,
Gattaca, Immortal Beloved, Lord of the Rings, Lost in Space, UhLY0EK&])F
Mission Impossible 2, Sexy Beast, Sleepy Hollow, The Beach, 5G o,] TwA
The Mummy Returns, Tombraider, Waterworld and many others.[/color]
[code]http://www.filehd.com/download.php?get=831635420[/code]}&~@"W?KA
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